Why did Lew Wallace write Ben-Hur?
In 1876, Lew was on a train headed for a reunion of Union soldiers. Also on the train was Robert C. Ingersoll, a noted agnostic. During the trip, the two men began a conversation on the divinity of Christ and other religious issues. In his efforts to sway Lew with his views, Ingersoll’s arguments instead had an opposite effect.
When the men detrained in Indianapolis, Lew waved the waiting cab off, stating he needed to walk to clear his thoughts. As he walked to his hotel he realized he needed to create a powerful refutation of Ingersoll’s arguments, but that he was ill prepared to do so.
In the mid-1870s, Lew had drafted a short story about the three wise men and their journey guided by the Star of Bethlehem. He ultimately decided expand this story, through exhaustive research, as a convincing argument supporting the divinity of Christ. This "redraft" of his short story became Ben-Hur.
That's the story we relate to visitors about how Lew wrote the best-selling novel of the 19th century. But a couple of weeks ago, some great visitors who stopped in while waiting on car repairs asked me what happened to Ingersoll, and I didn't know! I had to find out.
What about Ingersoll?
The son of a Presbyterian minister, Ingersoll was an attorney. He served in the Civil War with the 11th Illinois Cavalry Regiment. He fought and was captured at the Battle of Shiloh in 1862. He became the Illinois Attorney General, was active in the Republican Party, was an abolitionist, supported women’s suffrage, was a noted orator, and a famed agnostic.
After their conversation, as Lew pursued his writing, Ingersoll also moved on. Later in 1876, Ingersoll nominated James G. Blaine for President at the Republican Convention in Cincinnati. Hayes. While Blaine lost to Rutherford B. Hayes, Ingersoll’s "Plumed Knight" nomination speech was electrifying and long remembered. Almost 50 years later in 1928, Franklin D. Roosevelt likely used that speech as a template for his "Happy Warrior" speech when he placed Alfred Smith’s name in nomination as the Democratic candidate for President.
In 1884, Ingersoll spoke at the Republican National convention in Chicago. On his trip home from the convention, Ingersoll passed through Crawfordsville. It’s not known whether Ingersoll and Lew crossed paths on this particular trip, but while in Crawfordsville, Ingersoll was encouraged to give an oration. Joanna Lane graciously offered the front porch of her home, Lane Place, for the event. The wife of Senator Henry S. Lane, Joanna was a committed Republican who did all she could to support the party. She was also a devout Methodist; sharing her lawn with the agnostic Ingersoll must have been a trial for her. The crowd was enormous and according to news accounts of the day, Mrs. Lane listened attentively.
Like Lew, Robert Ingersoll travelled in powerful circles. Walt Whitman considered Ingersoll the greatest orator of his time and stated: "It should not be surprising that I am drawn to Ingersoll, for he is Leaves of Grass... He lives, embodies, the individuality, I preach. I see in [him] the noblest specimen--American-flavored--pure out of the soil, spreading, giving, demanding light." Ingersoll later delivered the eulogy at Whitman's funeral.
Ingersoll died in 1899 and was buried in
In 1902, a twelve volume set of his complete works was published. In the early 20th
century he was referenced in works by authors such as William Faulkner,
Sherwood Anderson, Sinclair Lewis, and P.G. Wodehouse. Arlington
More recently a popular edition of Ingersoll's work, edited by Pulitzer Prize winner Tim Page, was published in 2005, by Steerforth Press. Ingersoll's thinking is being brought to new audiences with, "What's God Got to Do With It: Robert Ingersoll on Free Speech, Honest Talk and the Separation of Church and State".
As Robert Ingersoll once said: "There are in nature neither rewards nor punishments, there are consequences." How interesting that one of the consequences of a conversation on a train in the 1870s questioning the divinity of Christ led to the creation of a work like Ben-Hur.